Author Archives: caitlinburke

Daily Thing #1

Day 2 of August, my second round of making something every day for a month, and I did succeed in making something (and testing it, even). I also found the registration form for the 3-Day Novel Contest, which runs over Labor Day weekend. Most years, I try to be scrupulous to journal daily during the month of August as a way both to flush the pipes of my worst self-indulgence and get in practice sitting down and writing even if I don’t feel like it.

Making my daily thing something that isn’t writing might make this harder – I guess I’ll find out in September!

Anyway, here is my first thing: a Flying Spaghetti Monster cat toy. I dithered for a couple of weeks over putting this together, because my first couple of tries really didn’t work at all. This doesn’t match my vision, either, but, hey, the FSM is filled with catnip (little-known fact!), and Mr Bun embraced it with all 4 paws.

Fair Use Online

Journalist and, now, Journalism PhD CW Anderson thinks about how the fair-use test could expand moving from a mostly print environment to an online environment. (See the Wikipedia breakdown of the current fair-use test at in its section on fair use under US law.

The major difference today is that an “appropriating work” can do more than just tell you where it got the information: it can actually link you directly to it, thereby explicitly increasing the audience for the original work. This doesn’t make people feel any better, it turns out. As Ian Shapira notes, in an article discussing a Gawker post that distilled a story of his, “Would the average visitor have clicked on the link to read the whole story? I probably wouldn’t have.” I did, but then I’m older than Shapira.

Anderson is jumping off from the AP’s plan to use beacons to track repurposing of their content, but I encountered it in a Nieman Journalism Lab article analyzing the Shapira story according to the 4 fair-use criteria.

Anderson is trying to spotlight the online ease of funneling traffic to source, but he is sidestepping some of the revenue concerns here. The AP and major metro newspapers aren’t facing the same kind of revenue-source problems, for one thing. The AP sells access to its work to venues that put it in front of the eyes of readers, so it has good reason to treat Google as a newspaper rather than just an indexer, or try to get into the ad-supported news or aggregation business itself. Or any number of things – Google is a direct threat to AP. Newspapers like the Washington Post are already bringing eyes to pages on which they sell advertising, so they can potentially treat sites like Gawker as a promotional venue – as long as they can make their websites sticky and surfable for people who get referred to them, or at least make sure they are extremely visible as the kind of hardworking, careful-reporting sources that Gawker neither could nor wants to be.

Seven Deadly Sins

Galleries 1988 puts on a large show called “Crazy 4 Cult,” an annual show in which artists pay tribute to cult classics.

This piece will be featured:

It’s a modern adaptation of Heironymus Bosch’s 1485 painting, “The Seven Deadly Sins and the Four Last Things,” also in wheel form, but look closely at Dan Lydersen’s depictions (OK, go to the G 1988 blog entry about it or to the page at Dan Lydersen’s website to get large enough images to see detail).

The original is 30 inches across and will be shown at G 1988 LA through August 8. Learn about the other artists and what works and prints are available at the Crazy 4 Cult website.

I’m feeling particularly intrigued by this piece right now, because when I’m not at my job, I’m home watching movies (or worse, TV shows on DVD) and wallowing in one of the classics: Sloth. So I have deliberated over this work of Lydersen’s and decided it is time for another month of Thing-a-Day, here in August. As a nod to my slothful ways, though, I’m not actually producing anything until tomorrow.

Wish me luck. I’ll need it.

Fluid

Claire Morgan makes astonishing assemblies of taxidermied animals and other materials, meticulously placed with nylon strands. She uses many kinds of animals and insects, as well as fruit and leaves. I don’t have any idea what to make of any of it. I can’t decide whether I love it or would never want it in any space I occupy, even briefly (I or the work). Lots more photos of many installations over the last seven years at her website.

Tiny Art Director

Dad draws on spec for daughter and takes her critiques like a true professional. He calls her “Tiny Art Director,” but after about 15 years in marketing and advertising, I recognize her as more of a Tiny Client. Either way, it’s wonderful. Start at the bottom.


The Brief: A Dragon
The Critique: It’s dumb Daddy. You should erase it. Grow up Daddy.
Job Status: Rejected

Some prints are available, and in 2010 a book (published by Chronicle Books) will be out, too.